2D and 3D Fashion ART Modelling Course

Course dates:
Blended Course

116 hours of lessons from 23 September to 19 December 2024, of which 68 hours of Cad 2d lessons and 40 hours of Clo 3d lessons + 8 hours full immersion in Milan
Project work:
IDI Fashion Show
Maximum number of participants: 18
Certificates awarded:
- Certificate of Attendance Classroom Phase
- Certificate of Project Work
- Modaris 2D Storage Educational Licence V8R5a
- Clo3d Academic Licence
Who is it for:
Candidates wishing to attend our 2D/3D CAD garment patternmaking course must have a good knowledge of traditional patternmaking.

2D and 3D Fashion ART Modelling Course

Blended

Training course

The aim of the 2D and 3D Fashion Art Modelling Course is to train complete modelling professionals who are able to use the most widely used software in the fashion industry in an advanced and professional manner. Tools and functions with which to create precise and fast work.
Technology is increasingly in the vanguard, today the emergence of a new professional figure, that of the 3D ARTIST, has provided an exceptional means of saving time and costs. Thanks to CLO3D, it is possible to carry out a virtual prototyping and design the garment without having to make it.
Under the guidance of highly qualified lecturers, students at the end of the course will be able to independently use the notions and tools of both software. The patternmaker is the equivalent of a fabric engineer, he or she follows the design of the prototype, takes care of the development of the design project, combining traditional techniques, such as paper patterns, with the use of the most innovative technologies with CAD, to arrive at the development of virtual prototyping with CLO3D. Course participants will explore new possibilities by having a direct approach to a cutting machine, a necessary debut for a tool now found in all leading companies in the sector. They will have the opportunity to closely observe a practical demonstration and make the pattern prepared during the classroom phase. The first phase of the course will conclude with a seminar, led by a professional from the sector.
The trainees will put the acquired skills into practice in the design of a project work, focusing on innovation and consolidation of the acquired notions. A project will be developed starting from the concept, the choice of fabric, colour and silhouette. The objective is to complete the same with paper patterns belonging to a complete outfit, virtual prototyping and the manufacture of the model cut in the workshop.

The role of the cad pattern maker and the fashion 3D artist, are professional figures that have become indispensable in today's market, often materialised in a single individual.
The pattern maker's job is to be the engineer of the fabric, the fashion 3D artist's job is to devise computer-generated images in a perfect balance between technical and creative work.
Today's fashion industry increasingly relies on technology, on a 2D cad to create precise and fast work and on a 3D cad to save time and costs.

What you will learn

The candidate will learn how to use the most widely used software in the fashion industry in an advanced professional and autonomous manner. Tools and functions with which to create precise and fast work in the area of pattern making, associating CLO3D software for the development of virtual prototyping, avoiding the need to unpack and make up the garment.

Programme

2D CAD teaching programme

The profession of patternmaking technician - how it originated and progressed to the present day
Objective: Using the CAD programme
Programme parameterisation
Modaris Interface and Controls
General concepts of use
Size range' concept
Concept of pattern use
Concept of modelling with the use of 'Work Plans
Extraction of parts: net-price
Size development
Model Modification Procedure (with parts assembled on the sheet)
Model measurement procedure (using measurement table)
Pattern design
Fabrication Wheel Skirt
Making Three-Quarter Wheel Skirt
One-and-a-half-wheel skirt
Straight Skirt
Straight Skirt Transformation Procedure Flared Skirt
Model realisation procedure Girdle-cut dress in size 42 basis
Procedure for making McQueen suit model in size 42
Procedure for making trousers
Procedure for making T- Shirt

Clo3D Lesson Programme

Explanation of 2d and 3d area and icons for basic functionality
Avatar edit: measurements, hair, shoes, poses (technical-aesthetic)
Importing and editing the digital pattern
Basic digital stitching techniques
Advanced digital stitching technique
Verification of prototype fitting: defect, volume rendering, simulation
Metalwork development: buttons and zips
Development of prints and graphics
Inserting fabrics and maps. (normal map, displacement map, opacity map, etc.).
Inserting and editing fabric finishes (Fur, Shiny, Silk, Velvet, Metal etc.)
Set up image export settings
Render phase (light setting, time rendering, set image)
Animation: Turntable 360 and parade
Snapshot
Creation of obj using Clo 3D. (import-export obj)
3D project presentation

Job opportunities

The knowledge acquired during the training course will enable the trainee to acquire 2D and 3D skills particularly in demand in the fashion world

Phases of the course

Propaedeutic Phase: texts + online platform
Blended classroom phase: 116 hours of lessons
Online lessons (Lectra Modaris): 68 hours of online lessons, meetings of three to four hours 2/3 times a week
Lecture in presence: 8 hours full immersion in Milan
Online lessons (CLO3D ): 40 hours of online lessons, 3 to 4-hour meetings 3 times a week
Project work: development of a project following the outline provided by the teacher

Facilitations

Possibility of financing the enrolment fee Video CV editing and updating for dissemination to companies in the sector at the end of the training course in the candidate's region of preference.

How to apply

Fill out the information request form and we will contact you within a few days. In the selection of candidates the scholastic CV, work experience and motivational letter will be considered. It is possible and advisable to send a portfolio of previous works. The examining commission, considering these elements, will communicate the result of the selection and the admission to the Course by filling the application form.

Teachers

Antonio D'Addio

Roberto De Santis

Gabriella Canarezza

Irene Repetto

Images from courses

Testimony

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Course partners

2D and 3D Fashion ART Modelling Course

COURSE PHASES

MAX. 18 PARTICIPANTS

Video CV realisation
Reworking and updating the CV for dissemination to companies in the sector at regional or national level

CERTIFICATES

Certificate of Attendance Classroom Phase
Certificate of Project Work
Modaris 2D Storage Educational Licence V8R5a
Clo3d Academic Licence

COURSE FEATURES

The role of the cad pattern maker and the fashion 3D artist, are professional figures that have become indispensable in today's market, often materialised in a single individual.
The pattern maker's job is to be the engineer of the fabric, the fashion 3D artist's job is to devise computer-generated images, in perfect balance between technical and creative work.
Today's fashion industry increasingly relies on technology, on a 2D cad to create precise and fast work and on a 3D cad to save time and costs.

PROFESSIONAL OUTLETS

The knowledge acquired during the training course will enable the trainee to acquire 2D and 3D skills particularly in demand in the fashion world

TRAINING COURSE

PROGRAM

2D CAD teaching programme

The profession of patternmaking technician - how it originated and progressed to the present day
Objective: Using the CAD programme
Programme parameterisation
Modaris Interface and Controls
General concepts of use
Size range' concept
Concept of pattern use
Concept of modelling with the use of 'Work Plans
Extraction of parts: net-price
Size development
Model Modification Procedure (with parts assembled on the sheet)
Model measurement procedure (using measurement table)
Pattern design
Fabrication Wheel Skirt
Making Three-Quarter Wheel Skirt
One-and-a-half-wheel skirt
Straight Skirt
Straight Skirt Transformation Procedure Flared Skirt
Model realisation procedure Girdle-cut dress in size 42 basis
Procedure for making McQueen suit model in size 42
Procedure for making trousers
Procedure for making T- Shirt

Clo3D Lesson Programme

Explanation of 2d and 3d area and icons for basic functionality
Avatar edit: measurements, hair, shoes, poses (technical-aesthetic)
Importing and editing the digital pattern
Basic digital stitching techniques
Advanced digital stitching technique
Verification of prototype fitting: defect, volume rendering, simulation
Metalwork development: buttons and zips
Development of prints and graphics
Inserting fabrics and maps. (normal map, displacement map, opacity map, etc.).
Inserting and editing fabric finishes (Fur, Shiny, Silk, Velvet, Metal etc.)
Set up image export settings
Render phase (light setting, time rendering, set image)
Animation: Turntable 360 and parade
Snapshot
Creation of obj using Clo 3D. (import-export obj)
3D project presentation

TEACHERS

Antonio D'Addio

Visual artist

Antonio D'Addio is a visual artist, currently living between London and Milan.

His artistic practice is based on the hybridisation of different techniques, combining digital arts (image and video making, 3D graphics) and fine arts (sculpture and painting).

He exhibited his works at the Venice Art Biennale 2017 (VE), Palazzo Pitti (FI), Grattacielo Pirelli (MI), Teatro Litta (MI), Teatro Giuseppe Verdi (SA).

He is the recipient of the 'Franca Sozzani Award 2017', 'Vogue Talents Master Style', 'Murze Magazine UK' art residency.

He has worked for Vivienne Westwood, Moschino, Hermès, Vogue Italia, Pitti Immagine, Ducati, Martini, IED.

His work is featured in Vogue Italia, GQ, La Repubblica, Il Mattino, Murze UK.

Roberto De Santis

He was born in Brescia into a family of tailors.
Growing up in the tailor's shop founded by his grandfather in the centre of Brescia, where fashion and craftsmanship are in the air, following family traditions is almost natural.
At the age of 20, he began his journey by attending different training courses, specialising in outerwear.
He began his professional experience in a company working for numerous established brands (including Reporter, Byblos,Cerruti,Renato Balestra, Lancetti, Krizia ), having the opportunity to work in both the women's and men's sectors, thus expanding his knowledge and skills as a model maker.
At the age of 28, he moved to Mexico, working for an Italian company in the industry that collaborates with world-class US brands such as Ralph Lauren and Calvin Klein.
The opportunity to be confronted with a professional and human world different from the Italian one, offers him the chance to increase his knowledge and define the characteristics that will form the basis of his path. .
After a brief experience in London at Vivianne Westwood's tailor's shop, he returned to Italy and was hired as a garment patternmaker at Armani where he remained until 2006. He then joined Dolce&Gabbana for 7 years, followed by a further 6 years at Prada, still as a women's patternmaker.
After many years in ready-to-wear, he went back to his roots and now works in a major tailor's shop in the city centre for a famous designer.''

TEACHERS

Gabriella Canarezza

A graduate 'Fashion Designer' in Rome, she began her professional career in 1975 at
various 'ready-to-wear fashion' companies in the role of Stylist - Patternmaker.
He then worked in Turin for a company producing the AnnaLinder line, and afterwards in the 'Gruppo Finanziario Tessile (GFT), where he became responsible for the brands Armani, Ungaro, Dior (Cori, Joan & David - Essence - Sazà), before moving on in 2001 to work (for 7 years) with the company
Lectra Italia and through the role of CAD trainer, she teaches pattern makers the transition to the use of CAD at around 200 Italian companies. In 2008, she was in charge of a project to upgrade the pattern department in a Tuscan company producing established brands, with the position of consultant-trainer. In 2019, she held the same position in another Tuscan company, producing leather garments.
She also worked as a trainer for the 'Benetton' company in Treviso, where she developed a new technique for designing clothing patterns: the 'Pattern Body' method, a new way of pattern design with a predominantly industrial imprint. Today she runs pattern-making courses in schools in Milan, Florence, Cuneo, Turin. She is a pattern-making consultant
at various companies on a project to upgrade the design area, where he updates the work cycle of model makers (senior and junior) and passes on his patented method.

Irene Repetto

Always passionate about the artistic and creative world, fashion has been the synthesis of my path in continuous metamorphosis and development. Graduated in Fashion Design at IED Turin, subsequently immersed in the world of Max Mara and Sportmax from October 2019. During my professional career I have been catapulted 360 degrees into the fashion hemisphere, with a main focus on 3D Design, the present and future of the fashion scene and beyond.

TEACHERS

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Information updated to 04/18/2024

Documento generato in data 29/04/2024 up-to-date information on the training course are available online at this link: https://www.italiandesigninstitute.com/en/corso-di-modellistica-2d-e-3d-fashion-art/

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