Blended classroom phase: 21 October to 9 December 2024
39 hours of online lessons
48 hours of in-person lectures at Achille Pinto Factory
Project work: developing a project following the outline provided by the company Achille Pinto. The projects will be viewed by the style office and if one of them should appear interesting to the fashion coordinator, it will be put into production and proposed to leading companies in the sector.
Italian Design Institute offers students the opportunity to print a 90X90 scarf, using the design created in the project work phase.
The Master's course is open to all recent graduates or diploma holders in art or related disciplines who wish to broaden their knowledge, approach or deepen their understanding of design and
of printing on fabric, in order to learn fundamental notions and techniques.
IDI's innovative training pathway in Textile Design, in a blended formula, is an advanced master's degree that, through a didactic approach that is as close as ever to the realities of business, aims to create an increasingly in-demand figure of Fashion/Textile designers who, equipped with an all-round professional culture, are able to combine technical skills in materials and graphics with the construction of final forms, thanks to the glue of colour and an understanding of predictive trends. The lecturers, competent professionals in the sector, will face with the students a transversal path of "worlds and fashions", of great emotional impact, as well as functional and logistical, where emotion precedes and then significantly translates into ideas. The alternation of online and face-to-face lessons, with "immersions" in real working activity, aims to build "work tables" differentiated by professionalism and sectors, thanks to the cognitive and communicative power achieved. Visits by illustrious testimonials and company approaches are envisaged, preluding a form of internship preparatory to concrete insertion in work activities, connecting this with one's talent and propensity. The students will thus be enabled to put into practice the skills acquired in the realisation of a stylistic/professional project work, focused on the translation and effective consolidation of the notions acquired. At the end of the experiences, thus broadened and transversal, the students will be able to design personal and original ideas, expressing both their stylistic and technical creativity.
The aim of the Master's programme in textile design - innovative fashion of the Italian Design Institute is to train professionals in the field of textiles, design and prints.
It is a professional figure who is of fundamental support to the creative direction in designing the collections.
The students will enrich their knowledge in the field of Fashion Textile, relating this to a general understanding of the fashion scene. They will learn to use in an advanced, professional and autonomous way, the most widely used programmes of the leading companies in the sector, Photoshop and Illustrator, in order to design their own concept and thus express their talent. Above all, they will learn to recognise their emotions, rationalise ideas, share and communicate.
TEXTILE AREA
● Analysis of industry stylistic trends, creative techniques, avant-garde design
● iconic brands and designers, - analysis and visualisation of printing, weaving, finishing 'effects' processes
● Analysis of prints with reference to designers and iconographic prints
● Analysis of drawing types (professional thematic archiving
● Both traditional and digital technical creative processes
● Analysis of inspirational design types with their classification and archiving
● Analysis of drawing assembly types,
all-over/foulard/degradé
● Insights into current lifestyles: sustainability, recycling and artificial intelligence
COLOR AREA
● Colour and its variants
● Subjective and objective colour
● Notions of armouring and chromopsychology
DEVELOPMENT AND COMMUNICATION OF THE PROJECT IDEA
● Concept elaboration, development of ideas through the collection of images and materials
● Creation of mood boards, palettes and colour charts
● Digitising with graphics software (Illustator and Photoshop) TEXTILE TECHNOLOGY
● Textiles: fibres, yarns and the spinning cycle
● Raw materials: natural fibres, animal fibres, chemical fibres (artificial and synthetic)
● Textile surfaces: woven fabrics, knitted fabrics, non-woven fabrics
Basic weaves Canvas, twill, satin
● Main fabric types
● Finishing cycle
● Fabric maintenance
● Textile surface treatments
● Fabric types: Printed, Dyed, Special processes ● Analysis of the main fabric printing techniques
● How to develop a project commissioned by a client
LABORATORY PHASE with MANUAL TEXTILE SAMPLING
Devoré print
● Application of devouring product on fabric
● Carbonizzo
Flock print
● Flock glue application using stencils or squares ● Flock application
Foil printing
● Applying foil glue using stencils or squares
● Foil application
Optimisable craft techniques
Producers in the supply chain need highly professional figures, capable of conceptualising, designing, managing and dialoguing, at every level, with all the figures involved in the production of 'collections' of clothing, furniture/interiors, furnishing complements and accessories, as well as specific sectors of use (denim world, beach world...). At the end of the course, students will thus be able to work as fashion textile designers, style and fashion consultants and/or more specific figures such as fashion graphic designers. They will be able to work as freelancers or in style and product offices, as well as in management/logistics offices for the advancement of 'collections'.
Fill out the information request form and we will contact you within a few days. In the selection of candidates the scholastic CV, work experience and motivational letter will be considered. It is possible and advisable to send a portfolio of previous works. The examining commission, considering these elements, will communicate the result of the selection and the admission to the Course by filling the application form.
Master in textile design - innovative fashion
Video CV realisation
Reworking and updating the CV for dissemination to companies in the sector at regional or national level
The aim of the Master's programme in textile design - innovative fashion of the Italian Design Institute is to train professionals in the field of textiles, design and prints.
It is a professional figure who is of fundamental support to the creative direction in designing the collections.
Producers in the supply chain need highly professional figures, capable of conceptualising, designing, managing and dialoguing, at every level, with all the figures involved in the production of 'collections' of clothing, furniture/interiors, furnishing complements and accessories, as well as specific sectors of use (denim world, beach world...). At the end of the course, students will thus be able to work as fashion textile designers, style and fashion consultants and/or more specific figures such as fashion graphic designers. They will be able to work as freelancers or in style and product offices, as well as in management/logistics offices for the advancement of 'collections'.
IDI's innovative training pathway in Textile Design, in a blended formula, is an advanced master's degree that, through a didactic approach that is as close as ever to the realities of business, aims to create an increasingly in-demand figure of Fashion/Textile designers who, equipped with an all-round professional culture, are able to combine technical skills in materials and graphics with the construction of final forms, thanks to the glue of colour and an understanding of predictive trends. The lecturers, competent professionals in the sector, will face with the students a transversal path of "worlds and fashions", of great emotional impact, as well as functional and logistical, where emotion precedes and then significantly translates into ideas. The alternation of online and face-to-face lessons, with "immersions" in real working activity, aims to build "work tables" differentiated by professionalism and sectors, thanks to the cognitive and communicative power achieved. Visits by illustrious testimonials and company approaches are envisaged, preluding a form of internship preparatory to concrete insertion in work activities, connecting this with one's talent and propensity. The students will thus be enabled to put into practice the skills acquired in the realisation of a stylistic/professional project work, focused on the translation and effective consolidation of the notions acquired. At the end of the experiences, thus broadened and transversal, the students will be able to design personal and original ideas, expressing both their stylistic and technical creativity.
TEXTILE AREA
● Analysis of industry stylistic trends, creative techniques, avant-garde design
● iconic brands and designers, - analysis and visualisation of printing, weaving, finishing 'effects' processes
● Analysis of prints with reference to designers and iconographic prints
● Analysis of drawing types (professional thematic archiving
● Both traditional and digital technical creative processes
● Analysis of inspirational design types with their classification and archiving
● Analysis of drawing assembly types,
all-over/foulard/degradé
● Insights into current lifestyles: sustainability, recycling and artificial intelligence
COLOR AREA
● Colour and its variants
● Subjective and objective colour
● Notions of armouring and chromopsychology
DEVELOPMENT AND COMMUNICATION OF THE PROJECT IDEA
● Concept elaboration, development of ideas through the collection of images and materials
● Creation of mood boards, palettes and colour charts
● Digitising with graphics software (Illustator and Photoshop) TEXTILE TECHNOLOGY
● Textiles: fibres, yarns and the spinning cycle
● Raw materials: natural fibres, animal fibres, chemical fibres (artificial and synthetic)
● Textile surfaces: woven fabrics, knitted fabrics, non-woven fabrics
Basic weaves Canvas, twill, satin
● Main fabric types
● Finishing cycle
● Fabric maintenance
● Textile surface treatments
● Fabric types: Printed, Dyed, Special processes ● Analysis of the main fabric printing techniques
● How to develop a project commissioned by a client
LABORATORY PHASE with MANUAL TEXTILE SAMPLING
Devoré print
● Application of devouring product on fabric
● Carbonizzo
Flock print
● Flock glue application using stencils or squares ● Flock application
Foil printing
● Applying foil glue using stencils or squares
● Foil application
Optimisable craft techniques
After graduating in Fashion & Textile Design at the IED in Como, he began working in the style office of some of the most important textile companies in the Como area, following brands such as Dolce&Gabbana and Versace. His most recent experiences include the world of Fast Fashion, creating collections of printed fabrics for Zara and Mango.
Since 2020 he has pursued a freelance career supporting companies and brands in the development of clothing collections from creative direction to finished product.
Always attentive to fashion trends and innovations in textiles, her creations are an expression of creativity and technique.
After completing his technical high school studies and obtaining a diploma as a textile expert, he continued and deepened his education at IED Moda Lab and then graduated in the Fa- shion&Textile design course.
Immediately after graduating, he began his career at Achille Pinto s.p.a., one of the leading companies in digital printing on fabric, in the Como area and internationally, as a designer of fabrics and accessories (scarves, foulards, ties...) for the collections of brands such as Dolce&Gabbana, Giorgio Armani, Burberry, Gianfranco Ferrè, Jhon Galliano, Costume Natio-nal and others, as well as for specific corporate packages.
Education in Textile Dyeing Chemistry and Modern Literature with a psychological orientation, specialisation in History and Theory of Colour, Master of Colour with Max Lűscher, lifelong passion. Style and product office manager, consultant for leading companies in the fabrics and accessories, clothing and furnishing sectors; creative/technical/commercial consultant for the most prestigious designer labels and medium/large companies in the fashion panorama sector.
Thirty years of entrepreneurial activity in textile research, development and production with major customers in the textile/clothing/
More than 30 years of teaching activity, and coordination in the most qualified textile, post-diploma and post-degree 'perfecting' courses, seminars on 'colour' with in-depth psychological analysis, 'creative writing', 'global languages', master's courses also in foreign languages. Creative-scientific coordinator, relationship between universities/academies and companies.
Consultancy and collaboration with leading fashion and daily news publications; consultancy and collaboration with some of the most important trend research and development studios.
360° training and research activities in an 'open mind' factory, centre and link between pure research, school and industry. Publishing activity with specific book publications (fashion/textile sector).
www.italiandesigninstitute.com
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Sviluppo Europa Srl
Via Albricci, 9
VAT no. 10282190965
Milan (Italy)
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Write us an e-mail
Sviluppo Europa s.r.l.
Via Albricci, 9 - 20122 Milan
P.I. 10282190965
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