Certificate of Attendance classroom phase.
Certificate of Project Work.
Who is it for:
Graduates and undergraduates in architecture, engineering, industrial design and related subjects
Graduates and undergraduates in Cultural Heritage (with basic knowledge of Autocad) or graduates from Liceo Artistico and Geometra with related subjects
Graduates of the Academy of Fine Arts
Interior designers, architects, graduates/undergraduates in architecture and related disciplines as well as all design, 3D modelling and virtual reality enthusiasts will be able to substantially increase the effectiveness of their presentations.
Visual Museum Experience: the future of art is now!
Join the new Visual Museum Experience, choose the two IDI courses in Visual Museum e Virtual and augmented reality for business and learn all the skills related to the design of museum routes and exhibitions and cultural events, also using augmented reality and/or virtual reality.
A unique Visual Museum + Virtual and Augmented Reality for business
Training course
Visual Museum Specialisation Course
Designing museum layouts and routes is both idea and creativity as well as technical and design skills. The Exhibit Designer deals with the design of all technical components of museum routes and temporary exhibition layouts, trying to harmonise his work with the curator's idea and the works of art in the best possible way. He also thinks about the conservation of the artistic and cultural heritage of the museum and seeks sustainable solutions suitable for the institution he represents. He is a professional who must have an excellent knowledge of the physical characteristics of light, colour, design techniques and tools as well as an understanding of the aesthetics of sources.
In recent years, the figure of the exhibition designer has become of fundamental importance for any curatorial project, especially with the advent of new forms of contemporary art, such as video art, multisensory installations and virtual tours. The experience, know-how and expertise of the museum designer are used not only for installations, but also in the service of communication, since in exhibition projects the ultimate goal is to communicate the message of the works of art to the visitor.
Having graphic dexterity and being able to draw by hand or through a PC is indispensable for realising projects and drafts.
Course in Virtual and Augmented Reality for Business
Experiencing spaces even before they are built has become an increasingly creative requirement thanks to the extraordinary potential of immersive reality that allows a spectacular and exciting view of spaces
In response to this growing need/requirement, a multi-stage training course was formulated to provide skills in the use of Augmented Reality and Virtual Reality as innovative tools for presenting one's projects by exploiting technologies from the world of gaming, in particular Unity 3D.
The course in Virtual and augmented reality for business will provide the skills to be able to transform 3D models created using Blender or other modelling software into augmented reality and/or virtual reality. Each participant will be able to generate AR and VR presentations on multiple platforms (Windows, Android, iOS)
A UNIQUE PATH, Visual Museum + Virtual and Augmented Reality for Business
What you will learn
Virtual and augmented reality for business
Differences between static and real time rendering
Realisation of an architectural structure with Blender
Optimisation for real-time rendering
Realisation of a virtual environment. the scene in Unity 3D
Using Post-Processing
Programming hints: creation of Flycam and implementation of Build 360
Creating VR apps for smartphones, PCs and Oculus Quest
AR app creation for smartphones
Visual Museum Specialisation Course
The phases of an exhibition and curatorial project.
Relationship between curator and designer
The Positioning of Works
Light and colour in the museum space: elements of lighting technology.
Creation of an exhibition design.
The design phases.
Programme
Visual Museum Specialisation Course Programme
INTRODUCTION
The phases of an exhibition and curatorial project: from historical and archaeological exhibitions to contemporary art and multimedia exhibitions.
The relationship between curator and designer: analysing and getting to know the authors of an exhibition
The indoor/outdoor/permanent and temporary fit-outs: the work of the new fit-outs
The research department: analysis and knowledge of roles
Focus: archaeology exhibitions
Case Studies
FITTING TECHNIQUES AND TRENDS
Difference between Permanent and Temporary Exhibitions
The approach to the exhibition space: the historical place and the ideal place
The positioning of works in space: differences between archaeological, modern and contemporary art exhibitions
The visitor experience in contemporary art exhibitions
Case studies of fittings from recent decades
Conservation of works: light and temperature, insights into regulations
LIGHTING AND COLOUR
Light and colour in the museum space: elements of style and lighting technology.
Focus: Contemporary Art Exhibitions - Video Installations/ Virtual Exhibitions
Examples and case studies
Communicating with the space: being able to communicate the exhibition to the visitor
CLOSING PHASE
Classroom exercises
How to communicate the project
The communication department: analysis and knowledge of roles
Cultural events and shows: staging and design
Creation of an outfitting project. Design phases with revisions.
Virtual and Augmented Reality for Business programme
Introduction to immersive technologies: definitions, examples and areas of application.
Virtual Reality
Augmented Reality
Extended Reality
Evolution of Augmented Reality and Virtual Reality from the 1950s to the present: birth and spread of the first hardware devices.
The current hardware market. AR and VR devices: most influential factors for the spread of specific hardware.VR-related issues and solutions.Why invest. Excursus on the most successful AR and VR projects.
Static rendering and real-time rendering: similarities and differences.
Optimisation elements for real-time rendering
From the world of video games to the world of interior design. Unity3D and Unreal Engine: analysis of the interfaces and possible outputs of both software.Test live with VR visor and AR tablet
Practical exercise: realisation of a virtual environment from a dwg or pdf file using Blender.
Basic concepts: optimisation elements for real-time rendering:
what low-poly means
what are draw-calls
optimal characteristics of textures and materials
Unity 3D pt 1:
Introduction to the software and its interface.
Main differences with popular static rendering software
creation of a project folder
Unity 3D pt 2:
Import of architectural structure realised with Blender
Scene Creation
Importing Textures and Creating Materials
Main sources for CC0-licensed material
Unity 3D pt 3:
Difference between baked, real-time and mixed light sources;
Lighting Baking
Ambient occlusion: what it is used for and how to render it
Unity 3D pt 4:
Flycam Creation
Introduction to post-processing: when to use it.
Creation of a PC build for immersive experience.
Unity 3D pt.5: let's create our first smartphone app
Scripting in C#, project anatomy, basic scripting, online resources
Let us create a simple script to modify the scene at runtime.
Build & run on smartphones.
Unity 3D pt.6: creating an AR app
The package manager: how to add functionality to your Unity project
Test scene: download projects and resources from the web and include them in our project
Build on smartphones: device requirements, functionalities, limitations
Scene customisation.
Introduction to Web 3 and the Metaverse (metaverse, what why who)
What is the Metaverse: definition and history
What is multiuser and how it works
What is an avatar
The economy of the Metaverse:
Who and how do they make money in the metaverse?
How is it bought in the metaverse?
Overview of cryptocurrencies
Notes on Blockchain and NFT
Visits to the main existing Metaversi (with Visor): evaluation and comparison of different use cases and analysis of problems
Products and services we can sell in the XR Metaverse
BIM/CAD to VR
AR for marketing
XR for real estate
Business model and pricing: what works and what doesn't
Marketing in XR
what can be done now
what works (WebGL, AR filters, tools)
what will be possible in the future
VR
Avatars: analysis of the most common types
Immersive lecture (with visor): entering the IDI Multiverse and exploring a series of virtual rooms
Tour of virtual environments: technical tips and optimisation techniques for the realisation of immersive projects.
Job opportunities
The Visual Museum Experience is dedicated to those who want to become proficient in the field so as to be able to practise their profession successfully, entering the market as freelancers, even on private commissions, spanning all sectors in which augmented and virtual reality is increasingly in demand, from gaming to interior design.
It is aimed at graduates and undergraduates in architecture, engineering, industrial design, design and related subjects; graduates and undergraduates in cultural heritage or graduates from the Liceo Artistico and Geometra high schools with related subjects and graduates from the Accademia delle Belle Arti (with basic knowledge of Autocad).
PROJECT WORK: realisation of a project following the outline provided by the teacher
MAX: 18 participants
CV DISTRIBUTION to companies nationwide
Facilitations
Possibility of financing the registration fee
Video CV realisation
Reworking and updating the CV for dissemination to companies in the sector at the end of the training course in the country.
How to apply
Fill out the information request form and we will contact you within a few days. In the selection of candidates the scholastic CV, work experience and motivational letter will be considered. It is possible and advisable to send a portfolio of previous works. The examining commission, considering these elements, will communicate the result of the selection and the admission to the Course by filling the application form.
ExcellentItalian Design Institute ®4.3★★★★☆ Based on 127 reviews fromRabija Mustafovic ★★★★★ Rabija MustafovićMariarosaria Mungo ★★★★★ I attended the bridal and haute couture modelling course, a path of professional growth and more. The teachers were very professional, and a great stimulus to continue taking other specialisation courses to become the future 'fashion engineers'. I recommend attending this course or perhaps other Italian Design Institute courses to invest professionally in your future . A thank you ❤️ to Roberta Corimbo and the team Tania Sette and Martina Pantaleo who supported us until the end.Angelica Peragine ★★★★★ I attended the haute couture and bridal specialisation course, and Laura Diana was enlightening. I would have liked to ask her many more questions, too bad for time, perhaps too littleFrancesca Giudice Mauri ★★★★★ A very exclusive experience thanks to visits to well-known construction sites.Sebastián Herrera ★★★★★ I always liked to design, but I never had the chance to do it; thanks to the group of teachers I found during the Master in Car Design, I was able to do it, they brought out my best!david rago ★★★★★ I have just finished the classroom phase of the course in car design, it was a wonderful and absorbing training course. In the full immersion session I met my fellow students, very nice and helpful people with whom we immediately established a good relationship, including the teachers and tutor Claudia. For those who are passionate about design and cars, this is definitely a course not to be missed!Mauro Scarpolini ★★★★★ I completed the classroom phase of the Master's course in Car Design, which was a truly complete learning experience, thanks to the passion and expertise of the teachers, the patience of the tutor and, last but not least, the choice of location for the lessons: being inspired by the models on display at the Turin Car Museum is priceless!Nikita Ruggiero ★★★★★ I followed the Master in Car Design and found it very interesting. It gave me tools I could use every day and I find it helped complete my total education. I recommend it!manuela bianchi ★★★★★ I enthusiastically concluded the course in Visual Museum.what can I say... an experience as educational as it was stimulating: wonderful lecturers and always helpful tutors! The course allowed me to consolidate my knowledge and develop very practical skills; the visit directly to the museum was wonderful.Peter Valentine ★★★★★ A unique experience that went beyond my expectations! Very knowledgeable and always helpful lecturers and tutors. I would definitely recommend IDI!Valentina Giordano ★★★★★ Thanks to the internship in IDI's Wedding Flower Design course, I had the chance to end this experience on a high note! Although it was my first approach to the floral world, I managed to keep up with all the techniques and exercises during the classroom phase.I recommend it!Erica Di Cillo ★★★★★ Impeccable organisation, prepared and helpful lecturers, and great professionals. A very high level educational and human experience, which I recommend. Also excellent was the tutor, who followed and supported our activities. Thank you!Cinzia Corda ★★★★★ Great course! Original podcast course, excellent teachers and tutor always present and supportive! I wish it had been twice as long!Emanuela Persico ★★★★★ Alessandra Sola ★★★★★ Marco Grossi ★★★★★ Hello everyone! I am a student who attended the Lightning Design course at Events and Theatre.I was very pleased with the experience both online and in theatre. I learnt new and very creative techniques to enrich my knowledgeTania was the tutor everyone would expect to find!Giuseppe Pace ★★★★★ Italian design institute is the right academy to cultivate the most particular passions. I attended the lighting design course and it was very interesting. Professors Walter Lutzu, Silvio De Ponte and Fulvio Michelazzi were super efficient together with my colleague Tania Sette. Fantastic!Carmelo Zoppi ★★★★☆ Thank you very much for everything a wonderful experienceLuciana Pilla ★★★★★ Satisfied to have had the opportunity to take part in the online Interior Design course at IDI.I am a recent graduate in Architecture and thanks to this master's degree I was able to approach the subject from a professional working perspective.I was able to learn notions from the lecturers that will facilitate my integration into the working environment.Umberto Restuccia ★★★★★ Excellent training offer. Very good teachers, very wide range of topics covered, complemented by the preparatory teaching material provided.Response from the ownerThank you Umberto! Carolina Innocenti ★★★★★ This MASTER is helping me a lot to fill in many gaps that I took for granted a long time ago. Especially I have learnt a lot with photography thanks to Amilcare Incalza and about publishing with Federica Caiazzo, who is young and fresh. She helped me understand how to launch myself into this world and how I could do it.Fatima Elalj ★★★★★ I attended the course in photography fashion editor and digital media, the course was divided into a phase of distance learning lessons with the class and with professionals especially on fashion journalism such as Mariella Milani, Valeria Oppenheimer and Federica Caiazzo, interactive and very educational lessons.Afterwards we spent four days in Milan with the class and with amilcare incalza who took us to his studio and let us experience one of his shoots up close.we also had the opportunity to organise a shoot on our own with the concession of some clothes and we were able to photograph a professional model. I'm still here as I write this review.It was exciting and unique.I had high expectations but I didn't think it would be so good.I'm going back to Rome with a bit of melancholy.But I thank my class, the professionals and our tutor Tania seven for this wonderful and unforgettable experience that I lived.I recommend everyone to pursue such experiences and I recommend the institute because it is very good. ❤️Arianna Lerda ★★★★★ Carmela Mongelli ★★★★★ The Master in Fashion Editor, Photography and Digital Media was super interesting and interactive. Shooting for a real shoot was inspiring and hopeful.Martino Semeraro ★★★★★ I did the master's course and it was really a positive experience, very serious and competent.Mavi Bertolino ★★★★★ I went to the Garden Design course in Pistoia, an unforgettable experience both professionally and experientially. The organisation is impeccable, the Campus location is excellent. Thanks to Tania, Stefano, and Sonia for training us and accompanying us on this adventure; Alessandro for his kindness every day spent at the Campus, and last but not least the kitchen team for the varied food that sustained our days of study. Goodbye guys!ALEXANDER CAPRINI ★★★★★ A wonderful experience that of the Master Garden Design Pistoia, introducing you to this world at 360°. The most important thing is to have found a truly phenomenal team of lecturers and learners!LINDA BALDUCCI ★★★★★ Alessandro Marcheselli ★★★★★ I attended the Fashion Editor Photography and Digital Media course. Being confronted with great professionals in the field of fashion journalism, photography and digital media was very useful as I acquired fundamental knowledge.I found the course interesting, and everyone was very professional in explaining the topics.Response from the ownerThank you for your review, Alessandro. From the whole team of the Italian Design Institute. Katia Giuliani ★★★★★ I attended the wedding flowers course in Rome with Sonia Luongo's team and I recommend itSara Ceccarelli ★★★★★ Did the wedding flower design course Great experience, it was completely full immersion!!!!Laura Volpe ★★★★★ IDI course - VISUAL MUSEUM (TURIN)Described in 3 words: intensive, immersive, highly formative.I sincerely thank all the lecturers for the stimuli they were able to pass on to us. Certainly this course does not represent an achievement, but an important and conscious starting point for moving into the world of museum design.Response from the ownerThank you for your review, Laura. From the whole team of the Italian Design Institute. Serena Fioravanti ★★★★★ It was an intense but very interesting two weeks. The course lived up to my expectations. The lecturers were really professional as well as our tutor Simona who followed us and helped us in everything.Response from the ownerThank you for your review, Serena. From the whole team of the Italian Design Institute. Matilde Finarelli ★★★★★ High-level lecturers, innovative and interesting teaching tools and proposals. Great support for students in the classroom, through the tutor Simona, who is really helpful and professional. Thank you!Response from the ownerThank you for your review, Matilde. From the whole team of the Italian Design Institute. tatiana simonetti ★★★★★ Marco Da Rodda ★★★★★ nicola morocco jd ★★★★★ Sabrina Delliturri ★★★★★ Angelica Stea ★★★★☆ Spectacular experience that I highly recommend, very interesting lessons and the face-to-face part with professionalsMirco Pagotto ★★★★★ Professional and engaging are the characteristics that best describe the Institute. I would like to thank lecturers Ennio and Veronica and Dr Tania Sette, course coordinator, for the knowledge and opportunity.Matteo Limonta ★★★★★ I participated in a course on Virtual Reality. Really VERY interesting and well done! My compliments both to the super competent and kind teachers Ennio and Veronica and to the course coordinator Dr. Tania Sette. Everything perfect! :)carlotta calisesi ★★★★★ The course on virtual and augmented reality was very interesting and well structured! Veronica and Ennio professional and very competent lecturers :)Domenico Battistini ★★★★★